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s8filmreelLightpress is one of the few post production facilities in the country offering high definition transfer of Super 8. Transfer to HDCAM SR,HDCAM,DVCPro HD, or Uncompressed to drive

Check out a video describing the composite and invisible effects for WA Lottery spot we worked on.

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Video Sweetening, also referred to as tape-to-tape color correction, is a postproduction process in which we manipulate video elements to "sweeten" the picture - much as we have become accustomed to sweetening sound.  more..

 

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Session Link Stills is an Lightpress exclusive service.  We choose select images from your transfer session, create alight-box style website and email you a link to the hidden page.  Ask for Session Link Stills when you book your next session.

Thursday
07Jan2010

Chicco "Love"


Agency: McCann-Erickson Italy
Director: Josh Taft
Editorial: Collective
Dailies, Conform, Color Grade: Lightpress

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Sunday
13Dec2009

Ivar's

Agency: Heckler Associates
Editorial: Wacko Fims
Conform,Deliverables,Color Grade: Lightpress

Are They Really Down There?
Ivar's billboards at the bottom of Puget Sound were considered another Ivar Haglund myth, until documentation was discovered at Pier 54 by Seattle historian Paul Dorpat. In researching his book on Ivar, Dorpat uncovered a set of schematics, drawings and receipts that indicate Ivar not only made plans for the billboards, but with little fanfare actually installed them in 1955. Documents are incomplete, but suggest the approximate undersea location of seven boards. Documents also reveal Ivars reasons for this ambitious undertaking: he anticipated submarine travel to become a popular mode of travel in the Puget Sound.



Saturday
21Nov2009

"Good Enough"


Director/DP: Zack Spiger
Editorial: Sacha Szwarc
S8 Film Scanning/Grading: Lightpress / Jeff Tillotson

A surreal music video we worked on from director/dp Zack Spiger. The video is for the song "Good Enough" from the album "Love and Torture" by Stone Jack Jones. The source footage was shot entirely on B&W Super 8 reversal film. The film was scanned on our Shadow telecine and graded on our DaVinci 2K. The transfer was captured directly to drive as 1080 23.98psf ProRes HQ files.